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In Tide of Light, I turn my gaze to the shoreline of Portobello, where sea, sky, and memory blur into one. Using long exposure techniques, I soften the edges of the visible world — rendering waves as whispers, and light as brushstrokes. The result is a series of dreamlike images that hover between photography and painting, reality and reverie. This body of work is less a documentation of place, and more a quiet meditation on emotion, presence, and the passage of time. Inspired by the visual language of Impressionism, I seek to capture not what the sea looks like, but how it feels to stand before it—to drift with it, to disappear into it.

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